Appendix.txt Contents of Appendix.txt are also found at the end of file: - cosmicastronomy.com/sound6.txt ------------------------------------------------------------ APPENDIX.1 ------------------------------------------------------------ SPECULATIONS RE: GRAVITATION AND ELECTROMAGNETIC FIELDS ------------------------------------------------------------------------- Snowflake-like fractal geometry at heart of field propigations? ------------------------------------------------------------------------- THEORY PROLOGUE - wave impact entropy vibrations --------------------------------------------------------------- THE MORE LOCKED SOLIDLY IMMOBILE BY IMPACTING RESONANCES IS THE GENERATING SOURCE OF A VIBRATION, THE MORE POWERFUL IS THE RESULTING VIBRATION THE SOURCE GENERATES. How is this premise verified? The following observations point to the possibility that the above premise is a Law. A string stretched between two laboratory clamps can generate a sound, or even a particular note of music. In this, the laboratory string is clearly vibrating in an up/down longtitudinal compression wave manner, so you can actually see the waves, one, two, or more, depending on the note being generated, in other words, the string's rate of vibration. How does the 'Note', the 'Sound', propigate after being generated? That is a different question. Dogma assumes that the same image as the visible wave pattern of the string itself, leaves the vibrating string and carries on invisibly everywhere through the environment. But who can say this is true without question. FINAL SOUND ----------------------------------- Final sound is mostly transmitted through an exquisite moire pattern, without much of the sound having to be conveyed via longtitudinal compression waves per se. The exquisite moire pattern seems to have a fundamental six sided hexagonal symmetry in its matrixing, in which hexagonal fractal (snowflake-like) images are sustained as steady state power centers providing a vastly enriched field within a media for sonic forces to activate. At this moment it cannot be declared as to whether the sound actually starts in the form of moire pattern hexagonal images which sweep out in preliminary recurring images through an environment (before the moire pattern becomes detail enriched and stablized to where it becomes a constant housing for sustaining continuously permutating rates of vibrations in a framework in which the sonic quality thereafter does not vary unless a change is forced after the fact), or if the initial input of the sound stream is via longtitudinal compression waves (which then begin to rebound and interact in cross reflections which soon enough gell into the final stable housings resolved as the moire patterns in the carrier fields; each kind of media (air, solid, liquid, etc.,) having a different moire which contributes to the overall. The whole pattern is three dimensionally connected in all ways along the three axis of length, width, and depth, reaching into all extends of the environment being effected, including the solids, and in return, the environment's responses re-effecting the originating sound stream right back to its sound generating source such as a piston driven speaker cone, wherein the speaker cone can become locked totally solid into impact vibrations so powerful the cone cannot be seen to move in an out by so much as an iota or even a blurr. It is possible, the cancellation of the slowmotion throws of the speaker cone long distances in and out (as is the case with typical louspeakers in home stereo even expensive systems), are being translated into extra enertial mass(s) in the speaker itself, cancelled by the perfectly synchronous impact vibrations from returned vibratory reflection resonances. In this, the speaker cone can be said to be nothing more than a wave form generator, which operates at peak efficiency only when IMPACT VIBRATIONS returning from the outer environment become synchronized to such a degree the harmonization causes all visible motion of the piston driven cone to vanish so that to the nake eye the piston driven cone seems to an observer to be utterly stationary, Yet its full power can be learned in an instant in the form of chaos, by the simple expediency of touching the cone with a solid object such as a fingertip. The speaker, at this point, if held in the hand, feels heavier, and the paper cone itself feels like it is a hard heavy solid rather than just thin porous paper. Total chaos comes in the form of an abrupt shattering of any sound into a total loud fierce startling powerful vibrating tatter total racket which takes over the whole of the sound stream at once. It can sound like a BRACKKKK! amplified beyond the power of any human voice. It can be far worse and louder than any racket caused by accidently cross wiring a pair of speakers the wrong way. The startle can be so bad and unexpected you first think the speaker is going to explode. You should be getting the message by now as to what I mean. What I mean is, just touching the cone with a finger, touch even very lightly, the whole sound will abruplty shatter into the re-directed kenetic energies as just described in the immediate above paragraph. This is an abrupt cascade into chaos. Something as light as a feather can trigger the cascade. The cascade is in contrast to what happens when touching an ordinarily operating speaker cone which is thrusting in and out virgorously in the throws of its hard driving piston. In this instance, the fingertip causes loud or soft WHAPPING to interferre with the sound as the original sound of the speaker continues to be produced around the WHAPS caused by the intruding fingertip. You have to force the fingertip into harder contact to eventually stop the pumping vigor of the moving cone, hence snuff its sound, or to eventually cause it to devolve into a state of chaos, which may not occur as the speaker starts to hum. MASS INCREASED BY KENETIC ENERGY The existence of IMPACT VIBRATIONS activity (or perhaps more properly, ENTROPY VIBRATIONS), works in reverse of entropy per se, wherein harmony at all levels is the inevitable result, when the proper controlling and resonating factors are in place, such that the speaker cone evolves to its highest of POWER when seeming most motionless to the naked eye, and is using the least amount of input ENERGY in the form of electrical current to drive it, its total kenetic energy intrinsically converting into apparent mass increased by 'steady state momentums', of may kinds, as the impacting vibrations efficiency improves. In the case of an enclosed environment, such as a room, (as opposed to an open air environment such as an outdoor stage), the moire patterns can be particularly critical to how high is the fidelity of the sound being induced within that room. A quick change which clicks into place in a moire pattern can formulate a lot more sound energy to propigate into the environment without the sound energy itself having to be more forced through the environment as it would be if only longitudinal compression waves comprised the whole source of any sound with then each iota of change in the ongoing sound needing to be conveyed through increasingly long distances for the iota to get carried by single sound waves that personally have to travel the shortest distances possible to fully propigate the sound. The air moire pattern, formulated of steady state standing hexagonal fractal (snowflake-like) images, can efficiently pass around recurring patterns of itself in haste with little waste of effort, since each fractal comprises not just one up and down wave moving either forward or backward, but a whole vibratory pattern of many primary and secondary responses all at work simultaneously to create the resultant manifestations and sonics of the sound. This is for air environments such as a room or the outdoors. It can be supposed that such sonic principles operate through any media through which sound can propigate, for instance the super hot plasma gaseous materials of a star like the Sun. Picture what this could mean in a celestial environment which is filled with whopping powerful wave impact vibrations which can't be seen by human observers since nothing appears to be moving, yet whole inner realms within universe celestial mechanics are resonating with profound entropy reversing vibrating powers we can hardly imagine empirically. Think of the power of a loudspeaker's sound generation when the piston throw of the speaker's cone has become so stablized hence solid that you can't even tell that it is working (unless you touch it) since there is not even a glimmer of motion to be seen in the cone as it source generates such great powerful sound. Here you have a cone being operated by impulse from a thriving piston yet you can't even see the cone move by so much as a slight blurr. Well, then, imagine resulting moire patterns of the sound also becoming 'so-called solid', or 'entropy cancelling' so that to all extents from an empirical point of view, individual points in the moire are seen to be totally stationary, but the sense in that seeing is false, because the moire parts have also become pistons that continue to powerfully pump the sound externally in increasing distances away from the loudspeaker's locked solid cone which is the originating generating source. And then image this whole sense of imagery magnified to cosmic proportions. And here is where you would see where there would be whole newly realized huge powerful constantly rejuvinating dimensionalities in the existing of a universe such as the one we live in, whose principles function is toward increasing harmony in its various states, in which choas is inexorably dissolved out of the entire system, rather than the present day belief which is entirely the reverse - that eventually choas will rule the waves. There is a greater universe, beyond that seen by the mere three dimensional outworkings of its vast cosmic stage of mechanical operations, behind which are even greater principles in action, all being fundamentally sustained and handled, mutated and transformed, by 'Cube and Sphere' principles inherent in hexagon and Star of David geometries. Six sided and twelve sided manifestations operate the harmonies and matrixes. For you, the more you see, the more there is to see. And what is the fundamental generating source?. Forget a religious picture of a paradise ruled by Allah, allah does not rule a paradise like this. This is a Paradise perfect enough to be the home of the Supreme Creators Alpha and Omega. In looking far enough you can see the SON behind the SUN, and the DAUGHTER, and behind the SON and DAUGHTER the Supreme Creators, the MOTHER and FATHER principle who are the originators of our existence and who are eternally at the beginning and end of all realms in Reality, and whose INTELLIGENCE, ENERGY, and SUBSTANCE manifesting as WILL, ACTION, and DESIRE are the totallity of the Reality to be experienced in proper accord with the Divine Will of the Supreme Creators as magnified in the inner and outer Universal environments by their Only Begotten Son and Daughter, whose self evident Christ Principles are the life and being of all that can be expressed in terms of pure and perfect LOVE. The greatest possible LOVE is a state of grace whose divine absolute perfection is in a profound pure harmony, which is the final outcome of all evolution, both for beings and universes. The love signals are pulsated out from Paradise, and the LOVE excitements are returned back to Paradise, to the Supreme Creators, who reach from the center of one magnificent stationary island in eternal light, with dual heart beating in rhythms and flows all the way down the frequencies and octaves of light into the outermost dimensions and whose final weakest outward reach is time. Time is where the partial states and momentary local distortions and disturbances in the great complete powerful pulsating Cosmic Reality are sifted and sorted. That includes us, here. Beyond what you see at the front of your eyes and feel with your five outer senses there's more than enough room for heaven, as you can see. By the way, Heaven is the whole environment in this magnificent REALITY, and GOD can be said to be everything that happens in Heaven, including how we are effected here, in a flesh and blood electromagnetic body bag embodiment while simultaneously always tuned into the ultimate as also golden etheric beings of light in our internal eternal embodiment in the higher dimensional realms in HEAVEN. Note that there can be no him, he, her, or she, in the God that is everything that happens in HEAVEN. Religions most certainly have it wrong and its time they changed in great haste. Interestingly, these spiritual insights can be easily glimpsed by intuitional modelling through something as simple as sonic sound principles tested in a living room in the third dimension. In Divine Order. Greydon Moore. Ottawa, Ontario, January 28, 1992. ---------------------------------------------------------------- APPENDIX.2 ---------------------------------------------------------------- SPECULATIONS RE: GRAVITATION AND ELECTROMAGNETIC FIELDS (cont.) ------------------------------------------------------------------------- Snowflake-like fractal geometry at heart of field propigations? ------------------------------------------------------------------------- SPECULATION 1 (Gravity and Light) ---------------------------------------------------------------- Re: sonic responses brought into visibility by playing around with an ordinary cheap stereo system. There is no reason for me not to suspect that similar holographic polarization in the form of (basically) six sided lineally facted interfaces rather than concentric circularity per se, may in fact comprise a fundamental understucture in the propigation of light. In this, Star of David images would of course play an intrinsic role with the tips of Stars of David being relevant in the absolute principle. In this, the Stars of David would always be inside the bounds of a hexagram based geometry which always defines the outer perimeter of the photon. In this, a photon as an 'image' actually propigates in an on-off maximum to minumum to maximum re-enforcing of the image, the On/Off (or IN/OUT) nature being due to the image itself vibratorily passing itself along through a media, where at maxima there is a complete symmetrical image and at minima it is if the image has become cut in half and the two halves are touching point to point. But there would be no passing along of any physical material or solid substance. This ties in with the understanding that photons are massless and transfer information in the form of exact quantas of energy, when incorporated in an atom, or nucleus, or nuclear particle either in a highly excited nucleus or by itelf travelling alone on its own. In the photon case the quanta of energy is the amount of vibratory activity ie. excitement (representing the photon's energy potential) self contained in the photon rosette; the snowflake-like image which comprises that photon. (Interestingly, this energy potential can translate into a velocity/distance/orbital spin component which counters elecronic charge when the photon is used to boost an electron to a higher energy state in an atom). The hexagon/fractal photon is essentially a two dimensional entity. If anything about the above supposition is correct, some deft imaging is required to picture how such a hexagon/fractal photon transforms in the presence of relativistic transformations such as dopple shifts except to suggest that transversal collapse of space in a travelling photon emitter translates into larger diameter hexagon/fractal photons being emitted in the case of Red Doppler Shifts (as the emitter receeds from the observer), and smaller diameter hexagon/fractal photons being emitted in the case of Blue Doppler Shifts (when the emitter is approaching the observer), compared to emission when the emitter is at rest. As for emission and absorption spectrums in general, it has to be insighted that photons propigating through a medium such as space are a different kettle of fish than photons captured in an atomic excitement state. GRAVITY ------------------------------------------------------------- A collaborating notion to the above speculation regarding photons, is that the photon's carrier media is actually more than one media, which also involves GRAVITY, in which gravity itself may likewise embody fundamental fractal rosette snowflake-like images in a sustained grid saturating the environment, analagous to steady state rosette-like hexagon/fractal recurring moires of sound saturating the environment of a room, and the grip of another gravitational 'moire' within the first, becomes intigrated into the first as far as the second moire's energy strength is able to reach forth in its gravity. In this regard, the intrusion of the second moire into a prior steady state moire, is no different than a musician being dubbed into the midst of a recording of a major orchestra, for instance, a trumpet solo done in a booth in a recording studio, then inserted into front and central stage in the already recorded big orchestra, an intrusion with a second 'moire' which has to be incorporated into the 'moire' of the first (orchestra) not just dumped in there but specifically carefully by important mixing and equalizing properties, the same mixing and equalizing which occurs when two gravitational bodies begin to read each other (intrude into each other's moires), except, in the case of recorded musicians, the insert has to be done by hand using property adjusters found on the mixing board controls). In this setting, the photon image passes along through the gravity's grid, at times appearing intact in image holes within the gravity grid (positive re-enforcement) and at times being masked or intermeshed when passing through interconnecting hexagonal points in the gravity grid (negative cancellation). The gravity notion is supported by the understanding that photon energy is relativistically effected by the strength of a gravity field; the stronger the strength, the greater the gravitational relativistic influence. In a sense the photon encounters more densely informed (more compacted) hexagonal patterns in denser realms of gravity, effecting the photon's ability to progress freely in the form of a recurring image cloning along as a vibration through the gravity's matrix. (In a sense it is somewhat analogous to a sonic air moire image encountering a solid and passing along through the solid in a transformed form of moire, where similar information is passed but it is also different, for instance listening to a musical sound with the ears pressed against a wall as opposed to standing back and listening to the same musical sound in the open air). There are several other aspects of gravity that support the notion. First is that a grid said to be underlying gravity will be spherical around the gravitational source, and the matrix filling the field compacts inexorably the closer to the gravitational source. Second is that hexagonal imagery in the graviational field may be moving, with the images comprising the grid inexorably moving toward the center of a gravitational field, and newly reforming at the outer edge of the field. (Instead of magnetic fields which alway go between poles said to be one North, the other South, the gravitational field has no poles, so the flow (of hexagram images) is informly inward from the whole outer surface of the gravity body's active spherical (3D) radius. Obviously, bodies distorted such as asteroids and small moons, are not spherical but this does not matter in the slightest in terms of aberrated 3D shape). On the other hand it could be that the hexagon/fractal imagery is steady state in gravitational excitement, but each hexagon/fractal individual image is spinning so as to create a sweeping force axiomatically pointed or focused toward the center of the source of gravity. Thirdly, the images in the grid will not be constant (as in the case of the sonic snowflakes described in the above 'EXPERIMENT' involving the propigation of sound). Instead, these images realtivistically change shape via gravitational relativity as they approach the source of the gravity then back out, in any elliptical orbit. Further, the images for the gravity matrix are not rotationally symmetrical. In other words there is an increasing spread along both the east-west and north-south axis toward the side of the hexagonal matrix images facing away from the gravitational point of center. An analogy is cars facing the screen in a drive-in theater, except in the images of gravity the cars are subtly relativity collapsed at their front ends, the collapse intensifying the closer to the screen, and, of course, the cars completely surround the screen spherically in all directions both around and up and down. (Don't try and park your new expense van at that drive-in). In other words each image splays out facing away from the gravitational source, notwithstanding that the characteristic in the splay is calculated by relativistic formulas rather than by euclidean trigonometry - whose axioms are fixed constants rather than relativistic) - but withstanding that what you gravitationally percieve on the far side of the screen away from you, is not the same as what you would see actually over there on the other side of the point of center (the screen) because of the inevitable relativistic contractions of space and shiftings of light vibrations the closer to the gravitational body's main size horizon (such as the surface of our Sun). HOMING TOWARD GRAVITATIONAL CENTERS ------------------------------------------------------------- Now, it is possible to see how images may contract as they home in their travels toward a center of gravity, to the point that when the center of the gravity is reached the images have collapsed to nothing; or perhaps to a single very busy image which is different in having no velocity driving component; which is evident in that (for example) gravity at the center of the Earth has zero power; the field is still there but there is no information left in the field's images converged closely toward the Earth's centerpoint to act on anything. In the meantime, as the images home in toward the center of gravity they relativisticlly compact, with more information thus being stated amongst the key points of the image which are coming closer together, (like a snowflake shrinking but keeping its pattern) so that a photon becomes more energetically engaged in the intermeshing of the two image medias, as the photon vibratorily propigates itself through the hexagon/fractal image grid of the gravity field, if, as the radii compress (each line grows proportionately smaller), or as the image accordians inward - parts vanish blink, then blink, then blink. But at the same time, assuming a minimum length available for distance from point to point in the gravitational matrix, parts of the image begin to vanish from the picture as the images home in on the center of the gravity, those lines of image which still remain further contracted by the influence of the gravity source's own gravity relativistically contracting space around it, the closer to body's dominant radius the more increasing the contraction. At least it is very easy to image such interractions in the consciousness, as opposed to the extreme difficulty of trying to image photon-gravity interraction in terms of equations which merely compute resulting effects rather than absolute principles in action as they take place. CAUSE OF GRAVITATIONAL ATTRACTION - (A PREMISE) ---------------------------------------------------------------- The matrix around a gravitational source is stationary, and would be constant if no changes occur in the environment comprising the field in total, with the 'snowflake' rosettes (hexagon/fractal images) comprising the field each spinning around 3 fundamental axis. (For the sake of convenience, fundamental hexagon/fractal images created by a gravitational field can be called snowflakes, and each image in the field can be called a snowflake. For the sake of convenience). (By this is meant that a snowflake is spinning both North/South and East/West around vertical and horizontal axis, while at the same time is rotating like a spinning wheel around a third axis passing through the centerpoint of the snowflake). It is the spinnings of the stationary images which causes movement in the field, and the appearance of gravitational attraction. For instance in cell biology research the nature of 'lock and key' mechanisms are now well established to account for the fact that certain cells, or parts of cells, can lock to certain points on other cells, or parts of cells, due to a 'lock and key' fitting in the arrangement of particular clusters of molecules of each cell. In the case of gravity, certain aspects in the imagery 'locks' of a gravity field's hexagonal/fractal images can temporarily connect with similar points (keys' in another gravity field, such that the entire stationary gravity field of one source is inexorably dragged (swept along by the spinning) toward the source of another field. This is because in the nature of the spins of the stationary images (consisting of an overall matrix grid comprising the field), the biting of the 'lock and key' is intrinsically denser in the side of the images facing a gravitational source, and hence there is a natural sweeping, inexorably compacting toward the gravitational source, and toward each gravitational source when more than one. MODELLING A GRAVITATIONAL ATTRACTION ---------------------------------------------------------------- A mechanism for mutual attraction can be crudely modelled using large paper doily arrays sitting separate on a table, where each array of doilys represents a field of gravity, for instance two separate Suns. Suppose two large doily arrays were each composed of their own particular recurring snowflake image, hundreds of images per each array (representing each respective gravitational field), and that the images are compacted, (grow uniformly smaller toward the center of the arrays). Suppose also that key nodal points in each of the many images have small pegs in them so that two such images could mesh through numerous mutual cogwheels. On the outer areas of the array the cogs will be further apart, and very close together near the center of each array. Start spinning each image on the spot where it sits within its doily. And then bring the two large arrays close enough together until the pegs at the edges of each array start meshing. It will be seen, if the model is set up correctly, that the two large doilys will start to sweep toward each other like a form of osmosis, drawing each other towards their respective centers, (like two images drawing each other into an embrace and eventual melding). In this effect, the entire image arrays move as the images comprising them remain more or less constant in a model of a standing steady gravitational field comprised of spinning factal imageries which form a steady state matrix around a gravitational source, whereas the entire matrix itself is being swept (drawn in), effectively the one field is drawn in to become intermeshed within the other. Clearly, if the images were not stamped in iron, the images themselves would change as the field densities of (say) two gravitational sources inevitably combine toward forming one field. Such modelling for gravity is not so far fetched as it sounds. In fact an exact model already physically exists in the solor system, in the form of the orbit of planet Jupiter and its two Trojan points which fall equidistant before and behind Jupiter itself so as to form an equalateral diamond consisting of two adjoined equalateral triangles. All radii in the Trojan system of Jupiter are of equal length hence coming from six sided hexagonal array. If an invisible Jupiter is orbited on the opposite side of the Sun, with invisible Trojan points also, it is obvious that this picture is nothing less than a six sided hexagram, within which can be axiomatically constructed a Star of David. Similar Trojans (Lagrange Points) are found for the Moon's orbit, for instance, so that a fundametal six sided hexagram is enscribed around the Earth by the orbit of the Moon around Earth and hence a Star of David, is funadmentally constructed by the Moon's orbit. INTERFACING RELATIVITY PRINCIPLES ------------------------------------------------------------- In fact it is possible to show via equations that there is a direct connection between certain properties of Electromagnetism (photons) and gravity, which is seen through their relativistic effects. The equations are absolute and show that effects for Special Relativity (photon effects) can be calculated knowing General Relativity gravitational effects, and visa versa. - cosmicastronomy.com/relative.txt If you notice in the above cited document, characters from Dos 3 (ascii) originally used to create graphic equations, you can download: - cosmicastronomy.com/viewer.com then by going to your the directory which has the downloaded 'viewer.com' (and presumably the downloaded 'relative.txt'), then by going to your Dos prompt and typing: > viewer relative.txt you should be able to read the document perfectly, its ascii characters correctly interpreted as graphic equations. Specifically, the equations show what Special Relativistic effects can be associated with a photon at a certain point in a gravitational field, and conversely what gravitational effects are equivalently associated with a photon whose Special relativistic effects are known by an observer. This includes of course all aspects of mass, space, time, and doppler shifts, per each kind of force (electro- magnetism, and gravity). These equations are not simplistically singular, as for instance equations which show an identical equality sharing between energy and mass. Rather they are different, yet more like the fundamental equality between electricity and magnetism, where the properties of either can be a distinctly different phenomena, yet one behavior (magnetism) can directly generate and influence the behavior of the other (electrical). In analogy, Gravity and Electromagnetism are equivalently related via a relativistic nature that is more similar to the relation between Electricity and Magnetism than between Energy and Mass. The special relativity effects noticed by an observer is when either the observer, or object, are moving at a velocity greater than zero. The gravitational relativistic effects become more noticable to an observer the closer to the center of the gravity, the special effects generated by apparent motions, the gravity effects steady state all the time as long as there is the gravity. The equations show that as an object is accelerated toward the speed of light such that its mass increases and size contracts, a point is reached prior to velocity at the speed of light where it changes into a black hole. That point in velocity is less than the speed of light by a constant factor equal to the Golden Harmonic Ratio, which is historically known by the mathematical factor: (1/2 of root 5) + .5 . The above mentioned Interface involving the Golden Harmonic Ratio (also called the Golden Section), specifically involves gravitational relativitistic effects persuent to General Relativity, and Special Relativity, where the interfacing ratio per se is the square root of the Golden Harmonic Ratio. (Details of these intriguing effects are spelled forth in RELATIVE.TXT). EQUIVALENCY IN INTERFACING RELATIVITY PRINCIPLES ------------------------------------------------------------- One interesting aspect of the equations, is an intrinsic ability to show a direct relationship between the Relativistic intensity of a Gravitational field, and equivalent reduction in a velocity associated with that field via Special Relativity. Specifically, as the gravitational field's parameters (hence strength) approaches that of a black hole, associated velocity for Special Relativity shrinks toward zero and becomes zero at the point where the Gravitational source's parameters become maximum, that of a black hole at radius of the black hole's event horizon. Conversely, as the strength of the gravitational field diminishes toward zero -(smaller mass, lower gravity, same radius)- the associated Special Relativity velocity component increases toward the Speed of Light, becoming equal to the Speed of Light when the Gravity field is zero. Other reading material in which the above remarks concider, are to be found in the menu named: - cosmicastronomy.com/eclipse.htm and in context of general astronomy, in files (your choice) linked from: - cosmicastronomy.com BOTTOM LINE ------------------------------------------------------------- At this point is raised the foremost question of all - what is it that is forming the grid matrix of interacting lines comprising a gravitational field. Obviously the lines have to form on top of or within SOMETHING. But what this SOMETHING is (the underlying substance of it) cannot be stated here and nothing concrete is known here to be able to say something to point an arrow to it. Ether, and etherial planes, come to mind in New Age nuances of such an understructure but neither term is able to evoke principles of physics in pure thought, although SOMETHING must clearly exist which embodies principles which could be pictured, or described, by equations. Gravity 'waves' and/or impact vibrations saturating space in a powerful but empirically invisible way, springs to mind as a possible carrier mechanism or conducer housing the results. Some more spiritually esoteric books have described an entity called an 'Ultimaton' which supposedly comprises the basic building block of reality, but no detailed description is given as to the 'Ultimaton's' image. Whereas some New Agers describe the fundamental building block of reality as 'Ultons', which are imaged as nothing but equalateral triangles. This is not correct. The plain fact is that an equalateral triangle is nothing but a THING until it is embodied in some kind of construction or image which contains principles which are GREATER than just the triangles themselves, further, something which ebodies a means for results to become locked as 'constants'. For instance a HEXAGON has six equalateral triangles embodied in it and so embodies (for instance) a six-sided rotational symmetry and a point of center, and so can be a constant source of a number system based on 6. This would come from counting the six facets, or sides, or radii, etc., (which extrapolates to a number base of 7 when the point of center of the hexagram is counted along with the six points which comprise the nodal points around the circumpherence of the hexagram. In keeping with this, the embedded Star of David reveals a twelve sided symmetry in the image, which yields another number system based on 12, which extrapoles to a number base of 13 when the point of center of the 12 faceted image is incorporated as a fundamental entity to be counted. Buckminster Fuller (inventor of the geodesic dome) envisioned that all of reality is fundamentally constructed of equalateral triangles. This is again too simplistic and is not correct. All of reality stems from fundamental matrixes expanding forth in many variations but all arising from the basic image of a hexagonal Cube and Sphere, which is six sided. This is the bottom line. RUBIC CUBE MODELLING OF A 'CUBE AND SPHERE'. A Cube and Sphere, which represents more than a six sided hexagram, is referenced in SOUND2.TXT under the topic: (AS IF SEVERAL COMMENTATORS ARE BOUNCING AROUND LIKE DIFFERENT ACTORS THAT COME AND GO IN AN INSTANT WHEN THE SPOTLIGHT HITS. January 29, 1992). SONIC SUN ---------------------------------------------------------------- Scientists are aware that sound is one of the ways in which energy is transmitted from the interior of the sun to its surface. However current measurements are not in agreement with theory. The amount of energy at the surface of the sun (for example in the corona) is far more than current magnetic field effects and other possibilities provides. Perhaps a remodeling of sound energy tranference per the six sided (or snowflake) model may provide better correlation. In fact a visible representative of such a mode can actually be seen on the surface of the sun. This is where convection cells comprise the Sun's mottled surface texture. The convection cells are similar in appearance to six sided honeycombs, in which the six sided edges where the cells adjoin contain darker cooler descending solar material and the inner cell (hexagon) areas are where hotter brighter material is rising to the surface. The Sun's surface is actually quite roiled with cells, however six-sided are more than common enough. If the traditional concept of longtitudinal compression waves for propigation of light (photons), gravity (gravity waves), and sound, is surplanted by the existence of six sided snowflake-like fractal images which contain resonance patterns for each kind of propigation that manifest in the form of recurring vibrations, the scene at the Sun would be remarkably different in terms of sonic energy transmission from the Sun's interior. For instance it can be supposed that a gravity field itself is a steady state matrix of snowflake-like factal geometrical images of basic six sided configuration, in which the images spin in place, and all matter has such a surrounding matrix, such that a sweeping effect inexorably draws matter toward the centers of gravitational sources where the snowflake images are more energetic. In the case of the Sun, it could be obvious that gravitational effect imagery is more vigorous at the Sun's surface than at its center where the gravitational effect diminishes to zero. And so, in this hypothetical scene, sonic transmission of energy from within the Sun to its surface is an interplay of at least three factors which mutually interact and re-enforce; these being the GRAVITY matrix of steady spinning snowflake-like images (three dimensional and spinning); the something similar images comprising SONIC re-enforcement (three dimensional (or perhaps two dimensional), and non spinning); and the something similar images comprising PHOTONS (two dimensional). In this, sonic shock waves are propigated at a much advanced clip through the solar material, in an inner way which is not at all evident when merely concidering only longtitudinal sound wave compression or light waves per se. R. S. Livingstone. Ottawa, January 1, 1991. Peace, Joy, and Happiness. FINAL SPECULATION ------------------------------------------------------------- A final speculation is that the photon hexagon/fractal images are two dimensionally flat. Whereas the gravitational hexagon/fractal images are three dimensional, having also a depth thus volume in the nature of the images comprising the matrix of gravity. A sense of electromagnetic polarization is gained by thinking of the photon images as vibratorily cloning iota by iota while seemingly sliding (cloning) along a single plane, and not spinning on the depth axis so therefore not forming a volume. Whereas the gravitational image does spin so as to form a volume containing each image. A volume embodiment of the gravity images inherently will fill a sphere surrounding a gravitational body, whereas a photon's flat plane embodiment will behave as already physically seen in laser devices which can be precisely focused lineally along a polarized straight line with no volume other than for the cross sectional diameter of the photon-dense laser beam itself. The bottom line to these speculations is a belief that cubic (fundamentally six sided) principles pervade the whole of the understructures of creation and that these are called Cubes and Spheres in Reality. In Divine Order Ottawa, Ontario. January 18, 1991. Peace Joy and Happiness SOURCES -------------------------------------------------------------------- FOR CHRIST SAKE STAND UP AND FREE YOURSELF GET RID OF DRUGS THROW AWAY SEX FIND SOMETHING BETTER THAN ROCK AND ROLL A DIVINE UNIVERSE IS THERE WAITING FOR YOU TO FIND IT RIGHT BEYOND THE WALL THAT FORMS THE DREAM YOU CALL LIVING You may wonder where such knowledge comes from. Concider the feeble little human intelligence (the apparent feebleness) in a race who kills love and bodies as par for the course in pursuit of ambition, profit, conceit, and the five terrible sins (Fear, Hate, Envy, Lust, and Greed). Compare this analysis of feeble human intelligence with the knowledge of spiritual experience and whopping magnificent positive changes occurring on the planet at an accelarating rate, and know that there has to be a higher dimensional task force operating night and day without pause or rest in the background, helping the Earth at every level possible to raise up into a Higher Attunement Intunement Reality. Bits and pieces of information such as anything said in the above topics, which happen to filter through and get recorded in a way that others can peruse and interpret to the levels of their current understanding, is but one of the ways in which the task force is able to get the Earth to respond and stand up to take responsibility for curing its ailing infrastructures between the world and the rest of Reality. This is a great Cosmic undertaking, of which the Earth is a part. There are authority levels and higher authority levels throughout the undertaking. To take any of the information disclosed in documents such as this, and to use it on the negative for destructive purposes would be sad indeed, given the positive scope for changes that can occur at rates of speed most people cannot even imagine is possible. Do not think the changes are by a lord waving a magic wand. The only changes which really count are by how you change your inner attitudes and humanitarian aspirations so that more LIGHT shines through and radiates in your beingness at all times. Serve to try and not willfully interfere on the negative. This will make the authorities very happy, because it makes their job so much easier when enough people are willing to accept the help that is being freely given from upstairs. Some of the problems standing in the way? ------------------------------------------------- Criminal Minds of the police departments. Hypocritical Activities of politicians. Desparate self seeking Manipulations of religious authorities, to name a few of the problems. Some of the solutions already underway? ------------------------------------------------- Dissolving your carnal sex urge. Female/Male equality at all levels. It may help to think of two species who evolved separately a long time ago in Reality and are currently co-inhabiting this planet. Recognition of the innocent purity and truth inherent in children and your children, and learning how to nurture and preserve this precious joy and truth they have without anger, or violence, or drugs, or sex abuse. Recognizing that Earth based physics and science are interim studies of very limited focus, even at the so-called ultimate cutting edge of modern physics. Understanding that God and Heaven cannot exist without a far reaching scientific basis that is fully 50% of Reality, but which works on the use of and control of and understanding of energy principles rather than 3rd dimensional artifacts, since anything that can be seen or studied in the third dimension is only a tiny part of the whole, that the 3rd dimension is the end product and not the starting point of Creation. Have appreciation for Lightstar. Peace Joy and Happiness Love one another, Serve one another.