The blue rectifyer
was in two parts which
could be twisted giving a
degree of better sonics when
twisted a certain amount. They
both were supported on metal tangs
bent ever so slightly to give a better
angle, the orange rectifyer easier to place
since its tangs were covered with solder which
made them much easier to bend but were almost at an
unuseable angle that had no support the rectifyer frequently
tipped over until a final fierce attempt caused one of the tangs to
bend just enough to give it needed support angle. The smaller
blue gave better sonics due to its twistability but the
larger had more effect on sound. The leading theory
of the day intuits that rectifyers made of six
sided (or twelve sided) shapes also able to
be spaced at will along a core rod can be
a very useful sonic tuner device even
marketable as a product. Another
version featuring five sided
flanges should also work
well, so says the
intuition. The
five sider
would be
intended to
work at very long
distances away from a
sound generating source, it
is also intuited that both 5 and
6 sided on the same rod (in the same
rectifyer) would not work but this will not
be known until tried, someday.


WOODEN HARP


The little wooden
harp in the background
of the upper left photo was
used many times to get a sound
experiment going, it was easy to focus
sonically and had a liking for hot spots, almost
making them up on the spot, or rather, hot spots for it
were easy to find, just drop it down, move it around a bit, turn
it back and forth a bit, and walk away. Soon, later, move it again, and
finally pull it entirely back into the cupboard or into a box, that
was its history every since bought for a buck at a dollar store
and brought home to try, the attraction being that it was
a kinky orniment, a harp made of wood with six plastic
strings the bonus was that it had sonics, not very
good and I don't see any product coming from
its shape. It is on the back shelf under
the orange light as possible but not
a sure bet.







DONE




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