___________________________ _______________________________ ___________________________________ _______________________________________ _____________________________________________ ___________________________________________________ _______________________________________________________ IMPACT VIBRATIONS ______________________ FINAL SOUND - CHAOS VRS COMPLETE CONTROL ---------------------------------------------- Final sound is mostly transmitted through an exquisite moire pattern, without much of the sound having to be conveyed via longtitudinal compression waves per se. The exquisite moire pattern seems to have a fundamental six sided hexagonal symmetry in its matrixing, in which hexagonal fractal (snowflake-like) images are sustained as steady state power centers providing a vastly enriched field within a media for sonic forces to activate. At this moment it cannot be declared as to whether the sound actually starts in the form of moire pattern hexagonal images which sweep out in preliminary recurring images through an environment (before the moire pattern becomes detail enriched and stablized to where it becomes a constant housing for sustaining continuously permutating rates of vibrations in a framework in which the sonic quality thereafter does not vary unless a change is forced after the fact), or if the initial input of the sound stream is via longtitudinal compression waves (which then begin to rebound and interact in cross reflections which soon enough gell into the final stable housings resolved as the moire patterns in the carrier fields; each kind of media (air, solid, liquid, etc.,) having a different moire. The whole pattern is three dimensionally connected in all ways along the three axis of length, width, and depth, reaching into all extends of the environment being effected, including the solids, and in return, the environment's responses re-effecting the originating sound stream right back to its sound generating source such as a piston driven speaker cone, wherein the speaker cone can become locked totally solid into impact vibrations so powerful the cone cannot be seen to move in an out by so much as an iota or even a blurr. In this, the speaker cone can be said to be nothing more than a wave form generator, which operates at peak efficiency only when IMPACT VIBRATIONS returning from the outer environment become synchronized to such a degree the harmonization causes all visible motion of the piston driven cone to vanish so that to the nake eye the piston driven cone seems to an observer to be utterly stationary, Yet its full power can be learned in an instant in the form of chaos, by the simple expediency of touching the cone with a solid object such as a fingertip. The chaos comes in the form of an abrupt shattering of any sound into a total loud fierce startling powerful vibrating tatter total racket which takes over the whole of the sound stream at once. It can sound like a BRACKKKK! amplified beyond the power of any human voice. It can be far worse and louder than any racket caused by accidently cross wiring a pair of speakers the wrong way. The startle can be so bad and unexpected you first think the speaker is going to explode. You should be getting the message by now as to what I mean. This is an abrupt cascade into chaos. Something as light as a feather can trigger the cascade. The cascade is in contrast to what happens when touching an ordinarily operating speaker cone which is thrusting in and out virgorously in the throws of its hard driving piston. In this instance, the fingertip causes loud or soft WHAPPING to interferre with the sound as the original sound of the speaker continues to be produced around the WHAPS caused by the intruding fingertip. You have to force the fingertip into harder contact to eventually stop the pumping vigor of the moving cone, hence snuff its sound, or to eventually cause it to devolve into a state of chaos, which may not occur as the speaker starts to hum. The existence of IMPACT VIBRATIONS activity (or perhaps more properly, ENTROPY VIBRATIONS), works in reverse of entropy per se, wherein harmony at all levels is the inevitable result, when the proper contolling and resonating factors are in place, such that the speaker cone evolves to its highest of POWER when seeming most motionless to the naked eye, and is using the least amount of input ENERGY in the form of electrical current to drive it. In the case of an enclosed environment, such as a room, (as opposed to an open air environment such as an outdoor stage), the moire patterns can be particularly critical to how high is the fidelity of the sound being induced within that room. A quick change which clicks into place in a moire pattern can formulate a lot more sound energy to propigate into the environment without the sound energy itself having to be forced through the environment as it would be if only longitudinal compression waves comprised the whole source of any sound with then each iota of change in the ongoing sound needing to be conveyed through increasingly long distances for the iota to get carried by single sound waves that personally have to travel the fullest distances possible to fully propigate the sound. The air moire pattern, formulated of steady state standing hexagonal fractal (snowflake-like) images, can efficiently pass around recurring patterns of itself in haste with little waste of effort, since each fractal comprises not just one up and down wave moving either forward or backward, but a whole vibratory pattern of many primary and secondary responses all at work simultaneously to create the resultant manifestations and sonics of the sound. This is for air environments such as a room or the outdoors. It can be supposed that such sonic principles operate through any media through which sound can propigate, for instance the super hot plasma gaseous material of a star like the Sun. Image what this could mean in a celestial environment which is filled with whopping powerful wave impact vibrations which can't be seen by human observers since nothing appears to be moving, yet whole inner realms within universe celestial mechanics are resonating with profound entropy reversing vibrating powers we can hardly imagine empirically. =========================================== Similarly for inner atomic vibrations, and the like. How about zero vacuum in space or a laboratory, is there tremendous energy still there, hidden unseen in the realms of impact vibrations and not seen due to the observer's lack of using any means to look for them at the moment. I don't know. These types of spectulations I tend to keep hanging around on the back shelf not thinking firmly about them one way or the other, until new information comes along the way (such as something in a science magazine for instance 'Discover' or 'Scientific American' or the Internet which casts light on the subject, one way or the other), or something newly percieved in an empirical way turns up in such as the sonic experiments upstairs, for instance. I wait, until I know in better ways how things actually happen in the physical 3rd dimensional world, when it comes to empirical understandings. Phase polarization of the cross harmonic frequencies which can cascade harmonically up and down the ward to give rise to East/West separations in single point source sound generating sources of a sound's after-the-fact artificial reproduction, such as through a silly little clock radio. - Finis - Greydon Moore greydon@magma.com