A possible cause for a super giant oblong oval with ripples near Andromeda
is a sideswiping (glance-by) collision with the Triangulum galaxy. See
strong evidence supporting such a collision
here.
GIANT ARTIFICIAL CIRCLES, VRS COHERENT OVAL
The point of showing a giant circle near
galaxy Ngc 2915 is that it is
contained in one Dss 60' x 60' frame, whereas the oval at Andromeda
(left) stretches through roughly 12 frames each 60' x 60' or portion
thereof, suggesting the oval is a far more
substantial artifact in terms of arcminute size, and if gut instinct
is correct, was captured in more that one Dss photo in such a way that
the oval stayed coherent, making it possible to reconstruct by compositing,
making it impossible to be a squeezed artificial light stab by the
telescope, the only other possible being a wrinkle in the negative
or positive print of the film. But I can't see this, even though
many an astronomer will see this giant oval at Andromeda as false,
they will say so, on first sight.
If more than one photo plate is involved, the same emulsion and spectrum
frequencies were used for sequence of plates, capturing thus the oval
stretching across several photo shoots, which is good, this is excellent,
in which case we know it is real in deep space.
If each plate was immense, the giant oval on a single pane, but the fact
that the Andromeda portions are checkerboard
like Hubble shots, suggests that more than one pane was used that
captured the whole of the giant oval, which is the best news,
scientifically speaking, since the oval thus is real in deep
space due to the simple fact that it spreads across more than
one plate photographed by telescope.
This is of course only quesswork on my part since I simply do not know
what exists in the way of plates (and plate sizes) in the Dss Internet
server.
The oval came into view as a complete surprise while pursuing this
flare of
sheeting extending beyond the end of Andromeda while searching for
any signs of the giant Bullseye (of which
there were none in these Dss images). In a piece shifted upward in
declension, suddenly there were R I L L S .
When I first saw this, I became instantly knocked on the head by something
new, (never seeing such an obvious coherent object before). It captured
the whole of my attention, I had no choice but to pursue, for days, to
find everything I could about it. The knock came to a conclusion in end
zones where Dss image fragments and enhancements could go no further.
Having no idea what the rills were, meant no other choice than to pursue
as many pieces downloaded as possible until the entirety of this giant
object was at hand. Which turned out to be easier said then done, for
one thing only a portion of Andromeda
contained pieces of the oval. Right next door to good pieces, many
Andromeda pieces came down from Dss looking like
this (extremely low resolution), other pieces looked like
this (much higher resolution but very diffuse and starry with no
sharp details to be seen) in both cases no trace of the giant oval
could be seen.
Daunting is not a good word to describe the duress of the mounting days
due to the confusing inconsistencies between downloaded frames, until
gradually (over several days) a consistent pattern in pieces was able
to be structured together revealing this.
Finding the oval quota finally, spread through so many 60x60 arcminute
frames, helps explain why the resulting patchwork-quilt quality of the
Andromeda oval composite has such striking differences in media densities
one piece to the next.
Each of the multi-pieces had to be worked in a simple graphics editor
(Paint Shop Pro ver. 2.14) in order to try (an impossible task) to make
the joinings and marginal overlays as seamless as possible.
This fragment shows noticable patch work - no two frames came down
from Dss in exactly the same density and brightness, there were subtle
sometimes major variations in media in each different frame.
So, that completes the short story including subliminal sobs of
frustration counter fueled by the zeal of the search. Stress yes.
Satisfaction, that too.
Quilt quality, even after using image adjusters at the most critical
knob turning hanks for each piece, yet, density matching couldn't be
done, each seam is far from seamless.
***********
Just a bare glimpse of some oval rills are visible in
this example, the enhancements rendered this way to show the patchwork.
The oval's rills, here horizontal, are at the top right, horizonatal
alighnment is the way the pieces came down on the Internet from the
Dss jukebox which serves portions of images on demand from co-witted
homeworkers like me.
Some of the seams are not perfectly stitched (stars not perfectly
overlaying stars) in the making of the full oval composite but these
are errors of no substance, the purpose was to show the giant oval in
toto and not to create a perfectly professional composite without seams
which was an impossible task due to hard media differences between frames
dished from
Dss.
I know that some stars do not position perfectly correct at the seams
due to the sheer awesome trouble I had trying to match star patterns
to make seams in overlays and joins in the first place. Believe me the
eyeballs were extended like eyestalks on lobsters trying to piece in
some of the patches to make a master composite showing the whole oval
with useable part of Andromeda - only the upper right
side of Andromeda could be found in media matches of kind which
contained the oval, any other segment of Andromeda shifted abruptly
to an entirely different media, it was this
now, which continued through a very large range below and to the left
of Andromeda which was was hardly understandable as a galaxy so low
quality was this other half area of Andromeda,
upper center, the smaller
blobs may be fingerprints on the film or rills and circular media
depressions revealed by chance by the extreme low resolution, since
originals (before histogram Equalize) barely showed
anything including an Andromeda. These blobs were explored in use to
see if there was any connection to any blob and the
Bullseye.
Sometimes a search through different Right Ascensions and Declensions
would endzone in complete nonesense, which
came up while pursuing this to see if it
meant anything.
I believe giant ovals really exist
in deep space. I do not buy the quick dismissal that they are merely
telescope lens artifacts creating circles
of light around bright objects. The only dismissal I might acknowledge
is if large negative plates were held in place by vacuum in the telescope's
camera and slight irregularities in the vacuum pressure produced local
areas of moire refractions artificially imbued in the image.
In the case of the Andromeda oval, since it is so large (as large as
Andromeda itself) the false image concept is diminished by the seeming
fact that several plates were used in the Dss overview to photograph
this very nearby region in deep space and it becomes difficult to
picture how a coherent structure can be sustained through several
plates by different vacuum pressure irregularities.
The only clause I can allow for this is if one giant plate was used which
then becomes parsed into 60' x 60' portions for dishing as downloads to
the public from Dss download sites.
The real case of plates is at question. A plate will arrive downloaded
at a specific media density and content seen at once by act of Histogram
Equalize. The same area up or down slightly, or shifted left or right
slightly, will result in a downloaded 60' x 60' frame which can be
substantially different, lighter or darker, then the prior frame
shifted only slightly in data specs.
Further, with one more slight shift the image quality can abruptly
change dramatically to an entirely different master plate either much
higher in diffuse data resolution, or very much lower, in either case
the oval no longer seen. At times it was possible to unexpectedly pull
down higher resolution frames from a Dss download site in which no oval
or oval trace is seen.
All of these variables suggest that one of the sky surveys happened
to use frequencies that captured the oval at Andromeda.
2 GOOD
2 BE TRUE
A GIANT DEEP SPACE OVAL NEAR ANDROMEDA
In this document, several images are shown more than once in links. If
you study this document in depth, you will understand why. Caution, some
of the linked images are unusually large and will take longer than usual
time loading from the Internet.
A giant oval exists in deep space to the east
of Andromeda. This is a second formation made of 'rills' and is east of
the Bullseye. Unlike the Bullseye, which seems
to be travelling along with and being transfigured by Andromeda, the oval
is more what can be expected if a large object (say a galaxy such as the
'Triangulum') punched abruptly into higher
density in deep space media when (if) brushing past Andromeda in a
fender bender, resulting in a stupendous circular 'sonic boom' in
gravity waves spreading out in one ever expanding set of close together
concentric rings.
A portion shown in green, has a cluster configuration
matched by the same configuration seen in media of a totally different
photograph, in an Andromeda Bullseye image.
The most difficult challenge was to try to find where the oval was
sitting with respect to the Bullseye at Andromeda. A tiny area having
three bright clusters found in high haze
in an image of the oval, was found in an identical small area within a
Bullseye image in which the three clusters group is more easily seen.
This has been the only definative connection I was able to make with
absolute certainty which is able to show the oval's much larger relative
size at some distance to the east of Andromeda, compared to the Bullseye
which surrounds the eastern flank of Andromeda itself.
There are many singular objects at Andromeda which can be used as markers
and references between different images, but in the case of the giant oval
the overblast result of Histrogram image adjusting, made singular small
objects impossible to match up without unambiguity, except for the
matching of the configuration of three small bright objects.
The oval is in somewhat the same angular declination as the Bullseye
relative to the plane and declination of Andromeda proper.
Click on images below for large size. Use the 3-dot cluster configuration
for reference between the two different images.
The Bullseye at the eastern flank of Andromeda. Use the 3-dot cluster
configuration (very small at far right edge of image) for reference.
The original Bullseye image, shown in reduced size
here, ends where you see the right edge. As you can see in the large
blue enhanced version above, not all of the Bullseye has been captured
in the original frame. And, as you can see via the next zoom, the oval
is located further to the right from the central nexes of the Bullseye
which means the two (Bullseye and oval) are separate unrelated phenomena.
The far east limb of Andromeda, and oval beyond, to correct scale. Two
areas in the zoom are artificially color toned (green contains the
3-dot cluster configuration, blue highlights upper tip of the oval).
As you can also see, spectrum frequencies used to photograph the
oval by telescope did not capture any of the frequencies that
embody the Bullseye. The oval is much bigger - what we can see
of the Bullseye is an object smaller in scale than the much
larger oval. Also, the Bullseye rill lines are broader and
spread farther apart.
The sense is that both Bullseye and oval lines are actions of gravity
waves in gravitic seas. Main difference is the
oval lines are gradually dissipating and fading away, whereas Bullseye
lines are an active formation tied to Andromeda and are continuing to
transmute, transform, and shift in keeping with Andromeda's motionary
and evolutionary processes.
However, since only a portion of Andromeda is visible in Dss frames
which contain oval fragments, it is not easy to guage at a glance the
relative scale of the oval compared to the whole of Andromeda. Second
in concideration is that the Bullseye seems clearly attached or
associated with Andromeda, whereas the oval is not, that is, it
lays further away and has no apparent connection to any Andromeda
larger scale structure including any of Andromeda in the dark matter
or hidden mass ranges assumed to extend well beyond the hot and bright
portions of galaxies.
In this image (more linked here), a larger
scale structure of Andromeda extends east and south in a wide diffuse
sweep, thought perhaps by astronomers to be residuals of a passing glance
engineered by the Triangulum galaxy. The
resolution in the above, showing the diffuse sweep at Andromeda, is too
low to locate the 3-dot cluster configuration
so it is inappropriate here to try and insert a location of the oval
within or alongside the diffuse sweep.
Flipping the image, and enhancing it in favor of blue tones, seems to
suggest an Andromeda which has been hammered on the left side including
along the lower left flank as if sideswiped. (Just an opinion).
EVENTS LEADING TO UNCOVERING THE OVAL
Images of the oval have been rotated right by 90 degrees to bring
Andromeda into the same alignment as the galaxy seen in the
Bullseye and most other Andromeda images. This flip is mentioned
because Andromeda portions coming down from Dss were all oriented in
a different alignment than that normally used by astronomers and
astronomy enthusiasts to show Andromeda, so, all the Dss image
portions downloaded had to be systematically re-oriented before
being useable.
A glimpse of the Andromeda oval was seen
here, when the Dss original was enhanced by Histogram Equalize.
Nothing ovular or attention grabbing is seen in the
Dss original. More of the oval is seen here.
This is another
Dss 60' x 60' frame further right, about 1/2 way over to M110.
At this point, hereafter, Dss images, each piece was downloaded and a
composite eventually created which was then rotated 90 degrees to the
right with Andromeda plus M110 presented in alignment more typically
used by astronomers for Andromeda's.
(See at left. Recognize this
galaxy?)
Since the second glimpse shows only a long
section of track stretching horizontally in a full sized 60' x 60' Dss
frame, you can grasp the magnitude and scope of the oval's size with
respect to nearby deep space, and the challenge the two fragments
represented in deciding to go for gold and try to compile a composite
showing as much of the oval as possible. Here is
another glimpse, the right end. These glimpses are reduced to 1/2
size for easier seen display.
The challenge succeeded in that the whole of the oval was located
in about a dozen Dss pieces but it was not possible to produce a
whole vision of Andromeda in the same media density and same telescope
setup. Here is what came down from the Dss
jukepox in pieces containing the oval and portions of Andromeda, M110
so large and bright at the lower right, almost looking merged with
Andromeda.
Here is what was coming down for the rest of
Andromeda, only some shown here no point in showing any more. The lower
piece is ovbiously of another photoshoot having far more resolution, the
rest though seeming similar to the above Andromeda fragments are a lot
hotter and it took a great deal of effort on my part piecing these few
fragements together jigsaw fashion. I was after a better look at the
two small galaxies on the rear side of Andromeda but could not get
decent consistent photoshoots of that area from the Dss jukebox,
so I finally abandoned the attempt.
The attempt was fueled by a firm belief in me that the small round galaxy
has actually sidled up through the disk of Andromeda in a very roiled
area to the left of Andromeda's core, and is now
drifting, a long trail of roils and streamers in rivers pulled up in
passage through, then out beyond over the rear edge, where it is now.
Unfortunately the Dss image had not the detail I was after showing an
exact emergence as the small galaxy rifted through the Andromeda surface.
I have to comment here in a hicupping proviso, that I have seen Andromeda
images in which the emergence of Sun Ra, the small satellite galaxy, is
not so certain, but have not yet seen anything forcing me to abandon
the idea that Sun Ra has sailed up through Andromeda entering free
space off the left end of Andromeda's core and is now drifting
backwards into rearspace trailing strings and tendrils of roil
gravitationally ripped from Andromeda and conversly being stripped
from Sun Ra.
Here a flea meets a heavy cement barge
and completely rearranges the barge's handlebars. Here is the size of the
flea that crunched the barge.
Here is a peanut being slammed by an faster moving avocada (I think the
bigger galaxy is moving faster), crunching the peanut.
Since Sun Ra is the faster traveller, most of the roil is being dragged
from Andromeda. This is usually the way, the faster high speed traveller
imparts more wreckage on the slower or more stationary larger partner in
a fender bender. In the case of the 'Fish' colliding galaxies, the
reverse seems to be happening, the larger more bulky object may be
faster travelling, relatively speaking, and is slamming the hell
out of the smaller galaxy in the collision.
Next are four views in progressive zooms showing what I can supporting
conjecture that the small Sun Ra galaxy punched through Andromeda.
Notice how many white dots stand above the surface, bright dots
typically trend to stand forth from a galaxy's surface but you cannot
see this until merging two side by side images in overlay, which
dramatically intensifies accute perceptions of details.
FINDING THE OVAL FAST
The oval fragments were revealed in an
instant by simply hitting an original Dss image (which shows nothing
but bright dots and hazes against all-black backgrounds) with Histogram
Equalize (I used Paint Shop Pro ver 2.14 on a Windows 98 pc). The oval
segments instantly sprang to light via super high contrasts that existed
between light and dark, in the original Dss black images.
To affirm that the oval segments were not merely an artificial
creation of Histogram Equalize, the same Dss original was enhanced
by other Paint Shop Pro adjusting means, including increased Color
density, higher Gamma Correction, and slight Brightness reduction in
company with high Contrast increases. The result is an image which
again shows the oval, in this view the
left-end segment.
A strong glimpse like that is enough to indicate that a very large
artifact extends at a sharply declented
angle beyond the eastern edge of Andromeda
at some distance from Andromeda itself. The oval is large enough that
an image encampassing the oval in total also includes satellite galaxy
M110 (seeming very small), and the east side of Andromeda.
CASUAL DISCUSSION AND PROBLEMS
The Dss images which contained the oval in
more than a dozen patches of 60'x 60' each, do not produce a complete
Andromeda, the left half portion is missing from the Dss patches and
other patches from other Dss surveys are available of significantly
different media and grade, dished for the rear side of Andromeda, such
that a complete Andromeda image which also shows the full oval cannot
be composited from the images I was able to find available in the winter
of year 2001 at Dss public download sites.
In fact the exact image dished by Dss for any given portion of Andromeda
one day to the next (or even one hour to the next) seemed to
vary at more than one Dss public download sites so it was quite a
task to find enough similar Dss images to piece together the oval.
Because of the uncertainty in the Dss archives I am declining to cite
exact references, links, co-ordinates, and parameters used to obtain
oval image patches.
My information would probably be very misleading in toto. Best that you
comb Dss sites yourself for patches containing the oval near Andromeda.
The patching I was able to complete can be easily seen in media density
differences one frame part joined in composite to a next. Given such
uncertainty I settled for a complete show of the oval itself rather
than for an attempted serious examination of the oval's details.
REASON FOR BLUE ENHANCEMENT
The oval is sometimes being shown in strong blue enhancement because
the oval's overall master shape seems more easily seen in strong blue
contrasts. The surrounding grey tone black and white portions are original
Dss images enhanced by Histogram Equalize to reveal the oval at a glance.
Dss original frames enhanced by other means
(such as Gamma Correction) were able to show very faint traces of the
oval but the Histogram Equalize version shows the oval in stark
contrasts at a glance.
As already said, a concerted effort using different image adjusting
techniques one after the other was able to show the oval but nowhere
as succinctly as seen via simple Histogram
Equalize.
By the time the oval image including Andromeda was composited, the
image's file size had grown to a monster of 27 Meg in a resolution of
7000 x 7000 for width and height, whose dimensions used over 125 Meg
when loaded in Paint Shop Pro - clearly a nearly impossible situation
for an ordinary graphics editor in a Windows 98 desktop PC (mine).
It was possible to continue to copy and past small segments into the
big template but the image portion of the template itself could not be
isolated by cut and paste - attempts simply plugged up the computer and
computer re-boots were frequent during this stage in compositing. On one
lucky day the image portion allowed itself to be cut and pasted as a new
file with a same resolution in a filesize now roughly 5000 x 5000, which
is still far too unwieldy for the Internet. To illustrate another problematic
variable, the oval's bandwidths (tracks) are so narrow that the oval can
completely disappear below a certain resolution.
For instance here is a resolution version
of 2000 x 1882 in which the oval (stretching horizontally across the
upper frame) is clearly seen. Whereas a resolution of
700 x 659 shows not a trace of the oval due to the oval's narrow
bandwidths.
Shown here, is my working copy, a reduced
version shrunken to 1/2 size, with a resulting file size of just 3.3 Meg
which is readily manageable in both the pc computer and as an image link
on the Internet. The original of 27 Meg filesize is still here in another
directory for future reference if needed. In fact, you can download it
here.
EDITORIAL COMMENT
I am back to using older Paint Shop Pro ver. 2.12 due to designer
constraints impossed by later versions of Paint Shop Pro. Specifically,
ver. 2.12 is not yet evolved to having seemless transfers between
file protocals, for instance a black and white image re-enhanced
with colors will noticably degrade when being file-saved. Ver. 2.14
had solved this problem. However, it (ver. 2.14) which I had been
using for several years, one day in the beginning of year 2001
was suddenly locked out with a prompt stating my free trial
period had ended (after several years) and there seemed
nothing I could do to recover a usable version.
A store bought copy of ver. 6.0 was installed and woe woe it was very
different, it had icons all around the borders, its file opening and
management system had been completely re-engineered, and so on, adverse
results including having to do up to 7 steps to complete an event instead
of just the one or two steps needed for the same event in the earlier
version. The solution was to re-install the ver. 2.14 version, which
still continued to be locked out, then move a ver. 2.12 Psp.exe engine
into the installation and behold I had an older version of PSP up and
running again with steps I could do lightning fast in my intuitive nature.
The trade off is that image conversions in file format protocals or black
and white to color slightly degrade, you can see the change instantly on
screen. This I can live with since most of the Science Anomaly project
was finished at the time the PSP catastrophe occurred. Such is progress.
It continues to be bewildering to find software engineers intent on
showing off their stuff who forget the bottom line, the end user, and
the best simplistic features a program once had.
COMPLETELY CANDID
From a scientific point of view let us be perfectly frank that there is
redundancy in the above dialogues but then again who else has to show
such a giant oval near Andromeda declaring evidence and details which
come from one source only. Encores accepted. Thank you, scrape, bow.
EGREGIOUSLY CANDID
I know that pros who spend weeks deciding between two equations will
find the preceeding outtakes on a film clip about a giant oval near
Andromeda as exciting as a carefully detailed description on how to
wash your car. Concider the other part of the world extending off
your other elbow. People out there by the teeming uncounted have
probably experienced the same kind of lesser utility hitbacks that
I did downloading and compositing Andromeda parts, and what went
through the thoughts hour after hour trying to piece the parts
together and make sense of the result. For all those teeming
uncounted, and not the equation pro, I dedicate this page.
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