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A 'PURPOSE' DIFFERS FROM AN 'ABSTRACT', IN SHOWING WHY THINGS HAVE BEEN DONE, RATHER THAN STATING IN BRIEF WHAT IS DONE THEN THE RESULTS


PURPOSE

If you take a (say) black and white photograph of your living room, then when beginning to develope it, first see traces and occasional part object against a pitch black background, a little more developing could reveal a major object still against a black background.

More developing will end the black to a living room illumination of a 10 watt lightbulb. It takes a great deal more developing to bring the living room to full equivalent with sunlight steaming in the patio door windows.

If this is a creative artist who wants a black background, the second stage of developing is suffice. If this is an astronomer who believes the pitch black background is correct, then the 2nd stage is also sufficient to show the main feature, a galaxy for instance in the still-dark living room.

Histogram images plus the other forms of living room photo enhancement in these pages, reveal that most astronomy images, even recent full color and by digital, are still being illuminated only to the second stage of a living room, less than the lumins of a single small candle in a large room.

Certainly, a no-lumins background is desireable when seeking to display a very handsome celestial object seen at its best when set on solid black.

It seems to me bringing forth the most an image has in capture of an object is the best way to go. Undesireables such as an overhot galaxy center can be filtered down.

Then the whole galaxy including its trace drifts and swishes of surrounding low luminant masses can be pasted as a 'transparency' over a black background. Some brightness in the fainter tracers of surrounding formations will dim but not in a ruinous way.

Two things then, the   w h o l e   image shown as one of several image versions, and the black background version shown as the main event. Either way, everyone benefits because there will be far less confusion as to what a photo purports to show. For instance a living room luminated by a 10 watt light bulb cannot be shown in an advertisement adversing whole living rooms for a new low low price.

MANUALLY CREATED OVERLAYS

A far more realistic view is attained by using your eyes to focus two images together creating a transparant overlay manually, or by device which can overlay images at will.

For instance watch what happens when a pair of galaxy Ngc 1512 images are brought together in overlay. If unable to drift focus the two together, go gently cross eyed, even just a few seconds of discomfort cross eyed will disclose amazing insights.


In overlay, the yellow detailed center from the left image imposes transparantly fitting over the masked out white center of the right image so the center is still clearly seen in detail, even as the larger surrounding super area of the right image is also seen in the merged overalay, because elements of the visible super area in the right hand image positively re-enforced dim media elements in the left image such that the super area is seen even better.

Click here for large Ngc 1512 original
Click here for large Ngc 1512 enhanced
Click here for large Ngc 1512 histogram

An easier to view overlay is achieved by minimally enhancing the original so that details are still obvious in a manual overlay, easier to focus as one.


At once a bonus, both arms originate behind, and both swing like eyelids up and over into foreground space before wrapping down beneath to disappear behind in smeared out smooth layers of kind typically caused in galaxy collisions.

Furthermore, since the lower left arm is wrapping down behind the main disk the blue infant star clusters seen are only the tips, like Sun lighting up the peaks of a mountain range, which means a great deal more in highly energetic star birth is occuring behind the scenes.

Also at once is seen that the up side yellow bands are flaring up and the lower side's are churning down in bi-lateral symmetry found in all galaxies including any visible centers of elliptical class galaxies.

Also, not a circle of infant star clusters, the two hot blue arm segments are best modelled as the edges of thick eyelids gloating (partically closed) over an eye. These vitally important dynamic construction properties are fortuitously seen in the virtual stereo component, resulting via first principles inherent in spacially separated overlay.

Also notice a v-breach. This is where two flows of arm matter are either converging or spliting in a 'fold', in either case a characteristic v-breach is seen, in this case at the upper right end of the yellow central area. A round opening like the opening of a trumpet is off the left core end.


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A 'canted roll' topology is seen even better by overlaying two highly enhanced versions, in which is realized how thickness for this galaxy forms a significant Z axis. The cant slanting to the left also rising in the lower left, is tilted back in the upper right except the left arm at its hottest (top of core) also arcs boldly forward as it comes arcing up and out (in yellow) from behind the core. The more yellow image (left) is a Histogram slightly dimished in Gamma Correction to allow more of the center details to come through the glare.


We can also see how extremely irregular the blue hems of infant star clusters are. Picture vertically rising thermals clumped and broken up even riffled with horizontal collars around the edge of a hurricane folded through the middle on Earth.

Ngc 1512 is best known as this Heritage image by Hubble, in closeup and slightly enhanced.
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The
odd spot
in the lower left
corner is inside the oval
bar galaxy ring, it is not the
small galaxy doing hoola hoops in
repeated ellipse orbit around Ngc 1512

As best
as I can determine,
squinting pretending to be a
perfectionist, the mystery dark dot is
actually this small glowball in the outer
ring beyond the oval bar, whose center
piece is the object of the above
Hubble eyeball image


M64 COLLABORATION

Compare features in the above images with features in galaxy M64. Being able to recognize features in either galaxy makes it easier to understand features in both galaxies. For instance how are partially closed eyelids slicking over the center areas formed.

USING COLORS TO SEE FEATURES

Advanced color enhancements are each revealing beyond the original ultra-violets, visible light, and both near-far infra red frequencies used to gain telescope information about this small galaxy neighbor of our Milky Way.


Red   enhancement reveals the right arm extending in a dim-seen rearward formation slightly canted away in the upper right, perhaps giving clue that the galaxy motion is approaching on a forward vector aimed slightly downward to the left.

Blue   enhancement reveals that hot blue star birth artifacts and drifts continue on down in the wall of wrap vertically canting around the right half. Blue also reveals that blue star regions have formed in small disk shaped plates laying horizontal to arm planes expecially in the upper (left) arm. Is it possible these diskette plates surround local black holes. In other galaxies, disk-like plates like these can be quite common along arms, though some seem to be compact small clumps shooting out or through the arm at high enough speed for the mometum to overcome the angular momentums of the arm per se being sheepherded along in gravity vortex and gravity insuck components of the galaxy.

Green   enhancement reveals that the galaxy superstructure is most visible in optical light (green in this case was used by Hubble engineers for the optical frequency component in this composite view), the green optical in fact more than intensly energetic enough to easily obliterate all central features when shown at strength as by this green enhancement, suggesting that many celestial objects are fiercely energetic the energetic signals thrown away when green is downtoned to blend to color balance composites whose central details are the featured objective. Many astronomy color images turn scortching hot the inner details fried away often with only a slight or modicum enhancement of green color, suggesting that green is very intensely radiant the incredible radiance mostly damped down to near zero in factoring astronomy color composites.


Here are telltale examples where green increased by 75 points blasts away the center details in firece luminance while about 200 points then in Gamma Correction brings to light vast expanses of vague optical information which outreaches in huge superstructures. Click on the green image panel for comparison of originals against green enhanced versions.

HIGHER SPEED

A possible contributor to higher speed in the outer areas of galaxies is not missing mass but perhaps includes the fact of 'thinner' inner matter even though the inner matter is denser and far more energetic, it actually concaves toward the center making it thinner than uniform 2D full flat pancake thin suggests.

For example think of the eye that is Ngc 1512, as shells partially enclosing a textured cavity with a pearl exposed at center, the shell's thick curved walls arcing up and curling down, ergo thinner in total at the center. How 'thinness' effects true amount of gravity power, may be seen in this virtual stereo of the coils of M51 and notice how the center is far down in the distantly focused winding of a cylander whose vortex is made of incredible coiling arms widening outward rapidly expanding toward our view. Thoughts like these easily come to mind. Even if incorrect or even bonehead - at least a sincere attempt is being made.

The above home-enhanced Ngc 1512 images are not meant as a criticism of Nasa. Think instead these are meant as tips to home enthusiasts and astronomers as to how they might better see an image well packed with hidden dim media content, and to use stereo (equivalent to anaglyphs made from a single image) to get a grasp on the image object's true topology status. For instance all flat pancake and flat disk (like rings of Saturn) theories about galaxy spirals go instantly right out the window. Such theories are useless. 2 dimensional construct 'laws' cannot make sense in galaxy physics.

3D ANAGLYPHS FROM MONO PHOTOGRAPHS

There is a world wide cluster of enthusiasts actively making 3D anaglyphs from mono photos of themselves and anything that interests them. Techniques for pulling forth better stereo from the mono image anaglyphs are being shared on the Net worldwide. I cite these enthusiasts as confirmation of stereo (3D) in astronomy images, for what it is worth I had been doing astronomy 3D's for three years before seeing a mono anaglyph, this was of the Toronto city skyline in which (from a single mono photo), all details of the Toronto skyline were perfectly correct, the only fault being the 3D was less than stark, not as if being there seeing the skyline in full total two separate photos binnocular stereo 3D.


Here is a 3D anaglyph of a small dog walking up a street in a suburb of Ottawa. Everything that is 3D in the anaglyph is correct (view with red and green stereo glasses). I made this from a single mono photo taken by a cheap 110 mm camera. Even though details are blurred in the anaglyph creation process it is clear that stereoscopic content is contained in the mono photo.


How this is possible is covered here, where virtual stereo principles are more readily understood via a deeper understanding of how stereo principles work, and here going indepth on how optical illusions work.

Click on the dog stereo image for large version.

To repeat, the dog photo stereo was made by me from a single mono photo, not two photos snapped side by side by a camera with two lens, the camera I had used had only one single lens its one single mono print was handed back to me by the film processing kiosk. If any researcher has not got the stack that the mono photo was nono, that researcher is not ever going to get the stack that the world is not flat.

FIRST GALAXY IN VIRTUAL STEREO

The first galaxy image I saw in home made stereo (circ. Nov. 1996) is this, Ngc 2997, and believe me after a first visionary blast like this there is no looking back, flat plane galaxy notions seemed silly. The Ngc 2997 image is harder to focus comfortably in stereo in that earlier virtual stereo techniques by me believed horizontal and vertical dimensions of the image had to be somewhat disproportionate in order for stereo to be revealed. Later it was found that a more minimum disportionate staging of the two images could produce better stereo. It was the fact that the right arm arced to the rear then abruptly jogged foreward which most caused the creative juices to gush in a rush.


Here is a rotated view in stereo of the inner region and core of Ngc 2997, showing how a vortex spirals inward toward a small focus deeply recessed in the center. Actually the recess is central matter being squeezed (pinched) by gravity forces at the core, increasing the mass density, of course, but diminishing the mass quantity by large amounts.

On the other hand, given the sheer scope and majesty of a galaxy such as this (next) in its 'vortexing' structure, concider how much more mass resides in the galaxy as a whole in view of arms which also have long winding (vortexing) lengths instead of mere apparent flat cross sectional dimension only.


ANOTHER VORTEXING GALAXY

Galaxy Ngc 5236 (M83) is another 'vortexing' galaxy stretched out along a long Z axis in deep space. For more on the 'jet engine' spewing out of the cowling opening at the top where the arm seems to abruptly jog, but doesn't, click here.

Jet engines are residues of smaller galaxies which have sailed around or through a larger galaxy, as the above 'jet engine' link will explain.


Even though grainy as hell, this next image serves well to illustrate just how thick Ngc 5236 actually is, so, add more mass to the mass already learned from analysing it's open cannister vortex shape in deep space. As is instantly seen Ngc 5236 is wrapped by dimly luminant ghost arms which extend the object well beyond its normally viewed optically brighter parts, and so form part of its superstructure.


The vortexing stretched out canister shape of such galaxies would not easily be inferred even sometime future until doppler red/blue shift velocity analysis was developed to an extreme high state of the art where interpretation would yield a cannister dramatically stretched out in space along a Z axis. Home made stereo using easy to stage image overlays, can show you the true shape in an instant.

ASTRONOMY APPLICATIONS

In terms of astronomy, a stereo view made by overlay does not need to be 3D full strength, all it needs do is indicate enough to know that arms wind in vertical as well as horizontal planes and to see how rarely an arm follows a continual plane, most arms are in polar pairs on either side of a core, and their planes torque in ways well modelled by a twisted cotter pin, or twisted pretzel.

Galaxies with multiple arms are often the result of collisions which absorb arms and use them where the arms have not been mutually dissolved in the collision processes.

NGC 1365, the 'bar' galaxy, winds huge distances out through depth-worthy deep space, and joins itself, in an exceptionally self evident demonstration of 'twisted cotter pin' arm paths.



These highly enhanced color toned views of bar galaxy Ngc 1365 show that it has more than a simple two-arm 'bar' structure and also excellently shows what a twisted cotter pin topology really means.


View this Ngc 1365 image pair in stereo (overlay) to see how extremely the two main arms are each on their own horizon plane relative to each other and to the core area.

A MULTIPLE ARM GALAXY


Here is a galaxy Ngc 2276 with multiple arms, at first confusing, until it is realized these are the result of collision, perhaps more than two galaxies have merged. The arms are actually 'elbow arms' jutting out in space forming an array.

An elbow arm is one which results from collision and has a rather long straight thin extension beyond an initial sharp elbow jog, the elbow jog seemingly formed when an interracting smaller galaxy abruptly leaves its entanglement with the arm. In the case of 2276 what size galaxy or galaxies were involved in the formula for arm formation, is not instantly apparent.

MANUAL OVERLAY 3D TECHNIQUE CAN SUBSTANTIALLY IMPROVE A VIEW OF A GALAXY

For instance the blurry Ngc 2276 image above reveals another likeable feature of virtual stereo viewing, this is that weak or blurry features can 'even out' into much better clarities in that the two-image mono pair merging positively, reinforces positive contents in the image.

PEAKS AND VALLEYS

For example, in the next pair, a green enhanced M101 view at the left has some inner detail, just. A more strongly enhanced green image of M10 beside it, has all inner features obliterated but more traces in the far outskirts are seen. Then the two are merged, inner features are seen, and the outskirts features are amplified beyond what is seen in either image, because of positive re-enforcement intensifying peaks and squelching valleys in the image's trapped photon matrixes.


It means valleys are often false inputs from camera and print, etc. Positive peaks, when intensified, overwhelm any false positives also inputted into the image from outside sources such as camera and print. Nice Virtual stereo bonuses free for the taking, we do not have to do any work to get the bonuses.

Here is a large view of M101 showing its two distinct elbow arms. Interpreting features such as this is difficult without the assistence of virtual stereo even at minimum value of 3D to read the 3D clues and so have an insight that works as an idea. As already said, 2D interpretations of galaxies and their arm forming properties are meaningless. Flat planes do not exist in galaxies.

Notice in the large M101 view again, that faint moire patterns can be seen around M101. These are gravitic seas. Gravitic waves surrounding M101 as seas of gravity 'energies' are included in thumbnails menued here, featured here 1 and here 2.

PLATENS

Another important 3D clue (still needing interpretation) is when arms extend from a vertically aligned 'platen' which is a round or oval flat faced disk, for instance in the case of Ngc 2276 at least one vertical platen of large size is below the core in the region to the left of the elbow arms.

'Platens' can be seen in many many galaxies, once you have seen a 'platen' in a galaxy image you will recognize them all over the place in images of galaxies.

For instance 'platens' in Bodes galaxy M81 (next) seem the result of former collisions whose existence helps to explain many otherwise mysterious features of Bodes galaxy. In the above Bodes link, the platens are described as snubs resulting after collisions and are associated with prominant v-breaches in Bodes galaxy, all telltales that Bodes has had collisions (perhaps several collisions of different kinds and sizes).

Read all of the above Bodes galaxy link to learn quickly many intriguing characteristics of galaxies in general.


3D says the giant vertical oval protruding out on the ascending left side against deep space is a platen therefore a telltale smoking gun that Ngc 2997 (next) has had a significant collision, perhaps more than one.


NEXT

A platen in the making (left below core deck) is being formed where a jet engine dollop spoots at high speed into the open. A jet engine dollop is seen leaving the galaxy body of Ngc 4603.


Try this link - a hercules among jet engines is seen leaving the inner center area of M101.

NEXT

A faded giant platen in the upper right flank of Ngc 5236 is where a more ancient former major spoot has faded, perhaps become smoothed over time.


CREATING AN ELBOW ARM

A good example of an elbow arm in creation takes us back to one of the super green views shown further above, a small galaxy is seen leaving the near end of the upper long thin 'antenna' arm, just now in the process of having just formed an elbow arm 'jog'.


THE NEXT IMAGE IS M51

The long corkscrewing tail trailing behind Boris (the small galaxy) may be a vague 'antenna' arm in the process of being formed as seething gravititational contradictions spin some of the matter out on a common vector propulsed by coherent angular momentums which spin the matter stream out of the claws of central gravity. If matter is shooting out of a pole this would then be essentially a 'jet', made possible when a galaxy's central core poles are clean of matter in the core's thin 'pinch', and suddenly is presented with dirty matter drifting at the pole the dirty matter of course on the move due to imminent or actual collision with the nearby second source of gravity.


If a black hole is residing in the center of Boris the hole's field strength need not be strong enough to bear dirty matter along the flows of the field out to long distances, rather the pole strength need only be enough to alter the particle spins of the dirty matter crowding over the pole the coherent spins then becoming vectored as resultant angular momentums, which may also help explain why Boris's dirty stream is corkscrewing meaning there are two main forces at the pole causing two mutually excepted vectors of spin one the outflow, the other the spin around the axis of the outthrow.

Except, this corkscrew is the only one seen so far in my white water rapids tours through galaxy images, so, elbow arm in the making may not be correct for signifying the corkscrew, the corkscrew's signal is out there in the wild, on its own.

HISTOGRAM EQUALIZE

And finally back to the main stage. Histogram Equalize adjustor in a home PC (Windows 98) graphics editor has been extensively used in preparing these pages to explore images for hidden contents, the Histogram adjustment typically producing images with washed out, or blanked details, nevertheless can reveal at once how much faint radiancy was captured in the image's dim or (hidden) media contents.


An excellent example is a Chandra X-ray telescope release in June 2001. Shown in the triptic strip (3 views) are the original, a version enhanced by +400 points in Gamma Correction, and a third version (right) enhanced by Histogram Equalize, the result having a dominant grey wash then reostated back by about -50 points in Gamma Density to remove some of the grey wash.

It can be seen at once that Ngc 253 swells to enormous size well beyond the optical original (black and white left), but, the main outer shells are too weak in the dim media content of this photo to have detail, the enormous super structure's greater galactic reach is revealed in outlines only. The good news is that an image like this 3-view composite may be shocking to astronomers who believe the optical island (left) is all there is. Knowing this is false, it is easier to plan a thorough look at the whole of the superstructure. Click on above 3 view composite image to see a larger version.

CLick for large view of Ngc 253 showing a surface which almost seems to be boiling. Click for enhancement showing larger galaxy bulk.

COMMENT

A 'purpose' differs from an 'abstract', in showing why things have been done, rather than stating in brief what is done and the results.

CANOPIES

How come galaxy portions smooth into an even surface is not immediately answered. Smooth amourphous less-luminant canopy-like surfaces are often found, for instance in colliders Ngc 3314 and Ngc 5128.



Virtual stereo reveals Ngc 5128 is a partial elliptical galaxy in that the matter above the center chism is very choatic and not at all gathered in a smooth round bulge. In fact the whole body is substantially sloped rearground to foreground (lower half). Images at this link explore long drawn out elongations found in the Ngc 5128 superstructure.

For a second look at serious formations which can be found inside so-called elliptical galaxies, have a look at these views of elliptical galaxy Ngc 4526, enhancements at this link go to the heart of symmetry topologies.

The Ngc 1512 collision may be no-miss the disk face of one coming from behind into the open face of another, arms along a common plane from each galaxy soothing each other out, rubbing away both arm's features into smooth cowlings, like kinked snowflakes joining face to face and both now sailing forward on out into the room beyond the left corridor.

Could the sheeting rising in vertically oriented edge-on drapes have 'canopy' appearance if the colliding galaxies were seen from the side.

An accumulating interest in canopies has its own page. Greydon Moore, Ottawa, 2001.



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